As well as the greatest hits from the likes of ABBA and Michael Jackson, there are lots of West End musicals with original music and lyrics. However, some songs in musical theatre have been so successful that they have topped the charts across the world https://www.wikipedia.org/ and have been covered by artists including Mariah Carey and Whitney Houston. Take a listen to these chart-topping hits that were first performed in musicals and have since become high-selling records in their own right and hear them in their show.
The Official Charts Company introduced a metric so that a song needs 600 plays on an ad-funded streaming service, or 100 via a subscription to equal one paid-for sale. “But that changed from the moment it began to stir in different means of consumption, streaming a song is a different process to purchasing one and the two sit in an uneasy hybrid. Listen to more than 2600 free internet radio stations from the UK streaming live online right now. Elsewhere in the top 10, The Coral’s eponymous debut album rebounded to number seven, thanks to its 20th anniversary remastered edition. Plenty of other up-and-coming hits benefit from We Don’t Talk About Bruno’s defenestration, too.
However, Sheeran’s biggest hits like “Shape Of You” enjoy such a long life span they could clog up the top 10 for more than a year. These days, the charts tend not to make headline news, unless of course Ed Sheeran is doing something contemptible to them, as he did back in 2017. Today’s average listening figure for Radio 1’s weekly chart show is 1.5 million, while Paul Gambaccini’s nostalgia-drenched Pick of the Pops on Radio 2 on a Saturday afternoon rakes in 2.7 million.
Following the success of his first two albums, former One Direction star Harry Styles is about to drop his hugely-antipcated third album ‘Harry’s House’ on 20th May. The ‘Sk8er Boi’ legend has even teamed up with artists such as Machine Gun Kelly and blink-182’s Mark Hoppus on some of the new tracks. The Official UK Top 40 chart is compiled by the Official Charts Company, based on official sales of sales of downloads, CD, vinyl, audio streams and video streams.
While ÷ was comfortably settled at the top of the albums chart, its individual tracks punctured the singles chart like acne scars on a peachy cheek. He was not at No 5, which was instead occupied by The Chainsmokers and Coldplay with “Something Just Like This”. In total, Sheeran had 16 songs inside the Official UK Chart’s top 40, a feat that had never been achieved before.
That shuffle affects the rest of the top 10, with Sam Fender’s Seventeen Going Under, Mimi Webb’s House on Fire and Overseas by D-Block Europe and Central Cee all shifting up one place. Fender’s hit also goes platinum this week, marking 600,000 total sales. We Don’t Talk About Bruno drops to number https://www.artmindfestival.com/ nine – a victim of the charts’ “accelerated decline” rule, which cuts older song’s streaming numbers in half to prevent them from clogging up up the Top 40 indefinitely. On Friday 7th January, we were graced with brand new music from The Weeknd, in the form of his fifth studio album ‘Dawn FM’.
Stereophonics finished ahead of rock band Marillion, whose twentieth album An Hour Before It’s Dark landed at number two – their highest entry on the album chart since 1987’s Clutching at Straws. The achievement makes them one of the most successful chart acts of all time, tying with Taylor Swift, Oasis, Kylie Minogue and R.E.M. – who also have eight chart toppers. The Beatles have the most, with 15, followed by Elvis Presley and Robbie Williams, both of whom have 13. In doing so, it ends the seven-week reign of We Don’t Talk About Bruno, the breakout hit from Disney’s animated film Encanto.
Sung by Elaine Paige and Barbara Dickson on the concept album of Chess, the ballad duet was penned by musical theatre maestro Tim Rice alongside ABBA band members Benny Andersson and Bjorn Ulvaeus. Staying at number one for four weeks consecutively in 1985, the track became one of Rice’s greatest hits, and has since been covered by Whitney Houston, Mel C, Emma Bunton and also been a charity single. The UK singles chart was born within the pages of the music weekly NME on 14 November 1952. (Pub quizzers will tell you that the first No 1 was Al Martino’s “Here in My Heart”.) Providing music with this new competitive element – who was best, who was climbing fastest, who got to No 1 – proved an immediate hit.